Poltergate 3d 201512/22/2023 We are told that Sam Rockwell’s character was laid off by John Deere, prompting the family to downsize their abode, but this tidbit of information is ultimately inconsequential to the film’s themes (because, well, there are none). Nelson’s character reading a book about Reagan), the new Poltergeist has nothing to say about our modern world. While the original Poltergeist criticized unfettered American growth and suburban sprawl (the film even started with “The Star-Spangled Banner” playing on TV and showed Craig T. In fact, Gil Kenan’s 2015 Poltergeist offers no sense of place at all. If they did, it wasn’t because of this film, which offers no cheerful suburb to shatter. Watching the film with these city kids made me wonder if they felt the same way I had about missing out on an “authentic American childhood” in suburbia. I saw the new Poltergeist (in 3D, annoyingly) at a screening in New York City with an audience that was half press and half black and Latino teenagers who I think may’ve won a radio contest. Poltergeist was the first film that told me the suburbs weren’t all they were cracked up to be. The idyllic towns and neighborhoods featured in films like E.T., Explorers, Back to the Future and The Goonies made me feel like I wasn’t living an authentic American childhood. I envied suburban kids who got to loop their bikes around pristine cul-de-sacs and keep their candy after trick-or-treating. Poltergeist was doubly interesting to me because it took place in suburbia, a mythical, sun-kissed land I’d always longed for as a kid growing up in New York City. What, can’t a producer of Sundance-y dramas and comedies appreciate a good scare-fest? Stop pigeonholing people! Yes, it’s true, I’ve loved getting the bejesus scared out of me since I secretly began watching horror films at the wee age of five, starting with The Exorcist, The Omen, The Shining and, of course, Poltergeist. People always seem surprised when I tell them I’m a huge fan of horror movies.
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